The Republic is a Socratic dialogue, written by Plato around 380 BC, concerning justice, the order and character of the just city-state and the just man. It is Plato's best-known work, and has proven to be one of the world's most influential works of philosophy and political theory, both intellectually and historically. In the book's dialogue, Socrates discusses the meaning of justice and whether or not the just man is happier than the unjust man...

Two late dialogues of Plato designed to be part of a trilogy that the philosopher did not finish, "Timaeus" and "Critias" utilize a few select men to theorize on the natural world and to tell a story of the lost city of Atlantis. "Timaeus" is a treatise, written in Socratic dialogue form in 360 BC, that speculates on the nature of the physical world, the purpose of the universe, properties of the universe, the creation of the world, the soul, the...

Plato's "Protagoras" is a series of debates or arguments between Socrates and the elderly Protagoras, who was a well-known Sophist. Socrates was deeply critical of the Sophists, who were teachers or wise men who charged money for educating students and dispensing wisdom. He believed them to be corrupt and dangerous men, who could lead their pupils astray. In Plato's dialogue, Socrates challenges Protagoras and his beliefs in front of an audience of...

Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities...

Written sometime during the 4th century BC, "Symposium" is one the most poetic and sublime works by the Greek philosopher Plato. The action of the dialogue is set during a party hosted by the poet Agathon to celebrate his first victory in a dramatic competition. The title 'Symposium', or 'Banquet' refers to the setting of the work, however the more literal translation from the Greek is a 'drinking party.' At this party several notable figures from...

A collection of four dialogues by Plato that reflect on the trial and death of Socrates.

Parmenides (Greek: Παρμενίδης) is one of the dialogues of Plato. It is widely considered to be one of the more, if not the most, challenging and enigmatic of Plato's dialogues. The Parmenides purports to be an account of a meeting between the two great philosophers of the Eleatic school, Parmenides and Zeno of Elea, and a young Socrates. The occasion of the meeting was the reading by Zeno of his treatise defending Parmenidean monism against...

The Sophist is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. In it the interlocutors, led by Eleatic Stranger employ the method of division in order to classify and define the sophist and describe his essential attributes and differentia vis a vis the philosopher and statesman. Like its sequel, the Statesman, the dialogue is unusual in that Socrates is present but plays only a minor role. Instead, the Eleatic...

A lively dialogue between a foreign philosopher and a powerful statesman, Plato's Laws reflects the essence of the philosopher's reasoning on political theory and practice. It also embodies his mature and more practical ideas about a utopian republic. Plato's discourse ranges from everyday issues of criminal and matrimonial law to wider considerations involving the existence of the gods, the nature of the soul, and the problem of evil. This translation...

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. © Agora Publications